Final cut pro color grading interface
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Published By: CineD - Thursday, 12 October However, the plug-in fell short in terms of more complex situations, and creators usually had to switch to other solutions such as Premiere Pro or DaVinci Resolve. Color Finale’s advanced tools were perfect for finishing projects, especially for filmmakers with some color grading knowledge. Credit: Jose Prada/CineD In that scenario, without the internal FCPX color tools that were developed later, Color Finale provided the missing piece for a complete postproduction workflow. When FCPX was first released, and we got used to its magnetic timeline, it became the preferred NLE for many editors, filmmakers, and content creators who found a simple yet powerful editor in the Apple product.
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Color Finale offered an attractive interface, ease of use, and a layering system that was familiar to previous Premiere Pro or Photoshop users. Its early versions offered a compact and straightforward solution for colorists using the Apple NLE who didn’t want to switch to more complex ecosystems such as DaVinci Resolve. Color Finale is a plug-in for Final Cut Pro X that has been out for a while. Color Trix is a company based in the UK with a long history of plug-ins (LUT Utility, Color Finale, Cinema Grade) and color and VFX solutions for the film industry. The latest version includes advanced features that boost the Apple editor with a complete color grading solution for any video project. Color Trix’s Color Finale 2 Pro Introduced – A Complete Color Grading Solution for Final Cut Pro XĬolor Finale 2 Pro is a powerful plug-in for Final Cut Pro X.